The article argues that Meghan Markle’s recent public appearances amount to a deliberate “power move” that signals a new phase in her post-royal career—one aimed at ownership and brand-building in fashion and beauty rather than mere endorsement. After months of relative quiet, the Duchess of Sussex re-emerged with a tightly choreographed sequence of high-fashion moments: a surprise, front-row appearance at Balenciaga during Paris Fashion Week in a pristine, “stealth wealth” all-white look; followed quickly by a string of polished outfits in New York, including a clean-lined Saint Laurent blazer with a classic quilted Chanel bag, a sharply tailored Giorgio Armani tuxedo at the Project Healthy Minds Gala, and a strapless Chanel tweed gown for dinner at Soho House. Royal biographer and fashion commentator Jane Tippett frames these sightings as strategic chess moves—“hyper glamorous” and “highly orchestrated”—designed to remind the industry that Meghan is a player in her own right.
The story also details a reported private meeting with U.S. Vogue’s new editor, Chloé Malle, at The Whitby Hotel. Presented as more than a bid for coverage, the timing suggests Meghan is seeking to shape the narrative around an impending venture. Alongside wardrobe recalibration, she has debuted a refreshed beauty look—dewy, bronzed skin and slicked-back hair—while giving her preferred products prominent social-media visibility. This shift, the piece suggests, hints at a potential move into makeup or skincare, echoing playbooks associated with Victoria Beckham’s eponymous label and Gwyneth Paltrow’s Goop-to-Gwyn expansion. Tippett notes that while Meghan has experimented with various platforms since leaving royal life, fashion and beauty could be the domains where her instincts and influence align most naturally—and where she can finally “land on something that sticks.”
At the Fortune Most Powerful Women 2025 summit in Washington, Meghan wore a Gabriela Hearst blouse, Brochu Walker vegan-leather skirt, Polène earrings, and a custom Dior ring linked to Archie’s christening—choices that subtly underscore themes of sustainability and mindful luxury. The article repeatedly contrasts Meghan’s new “immaculate tailoring” and sculpted silhouettes with her earlier Montecito casuals, reading the transformation as a conscious pivot toward authority dressing. Crucially, it positions Meghan not as a muse but as a founder-in-waiting, drawing parallels with Paltrow’s path from celebrity tastemaker to brand owner. The narrative suggests that Meghan recognizes how brands profit from her visibility and is preparing to monetize her influence directly.
Overall, the piece characterizes “Paris as the announcement” and “New York as the confirmation,” culminating in an image refresh that appears to set the stage for a launch—likely within beauty or fashion—aligned with sustainability and quiet power. If the precision of her recent appearances is any guide, the article concludes, Meghan is not seeking invitations from the industry so much as defining the terms of her own entry into it.
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